Ylenia Pappalardo

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	<title>Ylenia Pappalardo</title>
	<link>https://yleniapappalardo.com</link>
	<description>Ylenia Pappalardo</description>
	<pubDate>Wed, 25 Mar 2026 14:07:08 +0000</pubDate>
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	<item>
		<title>I am Yle</title>
				
		<link>https://yleniapappalardo.com/I-am-Yle</link>

		<pubDate>Thu, 13 Feb 2025 16:27:54 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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Hello.I am Yle.</description>
		
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		<pubDate>Thu, 13 Feb 2025 16:25:42 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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	Ylenia Pappalardo
	Environment artist
	Photographer
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		<title>Home Projects</title>
				
		<link>https://yleniapappalardo.com/Home-Projects</link>

		<pubDate>Tue, 07 Feb 2023 20:59:14 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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		<title>SKIN FOR TWO</title>
				
		<link>https://yleniapappalardo.com/SKIN-FOR-TWO</link>

		<pubDate>Tue, 07 Feb 2023 20:59:16 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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	Skin for two
PHOTOGRAPHY DIPLOMA
2021

&#60;img width="666" height="850" width_o="666" height_o="850" data-src="https://freight.cargo.site/t/original/i/77e0f473621fea7cdb7f8afc3b031c3f3b6581d0480aa8eafa94ea0f9769b64a/SKIN_FOR_TWO_COUVERTURE_PLANCHE.jpg" data-mid="167656022" border="0"  src="https://freight.cargo.site/w/666/i/77e0f473621fea7cdb7f8afc3b031c3f3b6581d0480aa8eafa94ea0f9769b64a/SKIN_FOR_TWO_COUVERTURE_PLANCHE.jpg" /&#62;Projet de diplôme de la formation supérieure ES, en photographie, sur l’expérimentation de la relation du médium photographique avec celui de la 3D.
“Les avatars des jeux vidéo fonctionnent pour moi comme des doubles. Ils me permettent de transcender mon corps ainsi que mon identité, et de me projeter dans l’univers idéalisé du virtuel.”


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Les avatars des jeux vidéo fonctionnent pour moi comme des doubles. Ils me permettent de transcender mon corps ainsi que mon identité, et de me projeter dans l’univers idéalisé du virtuel.
Les technologies actuelles, en particulier l’imagerie 3D, dissolvent toujours plus la distinction entre réel et fiction. Jouer dans cet autre monde me permet d’oublier le temps et mes limites corporelles par une immersion non seulement visuelle, mais aussi physique et émotionnelle. Ces expériences vidéoludiques me font éprouver des sensations et l’avatar, comme un autre moi, devient l’incarnation de mes fantasmes et fascinations.


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Cette confusion générée par l’imbrication du réel et du virtuel s’exprime dans le projet SKIN FOR TWO, pour lequel je crée un univers imaginaire et hybride, entre photographies et images de synthèse, en combinant divers outils numériques et types de visuels. J’aime expérimenter de nouvelles formes photographiques et explorer des modes inédits
de représentation pour amener le spectateur à repenser la signification de la photographie et s’interroger sur notre environnement technologique.


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Afin d’élaborer une fiction plus personnelle et permettre au spectateur de s’y plonger, j’ai réalisé des images de lieux dépourvus de toute présence humaine, avec une atmosphère hyper-colorée, entre artifice et réalisme. Elles sont inspirées des jeux vidéo Halo, Mass Effect et Doom
qui, depuis le début de mon parcours artistique, représentent des références visuelles majeures que je transpose ici dans le médium photographique.Je m’approprie aussi les images de synthèse de ces jeux (avatars, modélisations, objets) et utilise le scanner pour les transformer (distorsion, trame de l’écran, absence de couleurs), voire les déconstruire, afin d’exprimer l’idée d’évanescence du virtuel. Enfin, mes autoportraits photographiques sont mêlés à des avatars féminins pour mettre l’accent sur la transition ambiguë entre les enveloppes virtuelles dans lesquelles je me projette et mon corps de chair et de sang. Chacun d’eux correspond à une réflexion identitaire sur les idéaux de la beauté physique construits dans ces univers vidéoludiques.
L’esthétique hybride que je construis, à travers les autoportraits en aluminium brossé et complétés d’images scannées et colorées dans une édition papier, me permet non seulement d’être à la fois spectatrice et actrice de ce monde virtuel, mais amène aussi à éprouver à la fois de la fascination et un certain trouble, car j’interroge sans cesse les limites de l’identité et du médium photographique.


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		<title>CAN WE SEE THE SHOW FROM HERE?</title>
				
		<link>https://yleniapappalardo.com/CAN-WE-SEE-THE-SHOW-FROM-HERE</link>

		<pubDate>Tue, 07 Feb 2023 22:44:35 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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		<description>&#60;img width="11073" height="14764" width_o="11073" height_o="14764" data-src="https://freight.cargo.site/t/original/i/4b84aa1568eb2617d32824c1fd172209fe769462e5e5600e26c3286a79adbd9d/Ypappalardo_vinchat_web.jpg" data-mid="167643226" border="0"  src="https://freight.cargo.site/w/1000/i/4b84aa1568eb2617d32824c1fd172209fe769462e5e5600e26c3286a79adbd9d/Ypappalardo_vinchat_web.jpg" /&#62;Can We see the show from here ?
EXHIBITION
2019

One of my first collective exhibitions presented a project of contemporary photography concerning themes in relation with the Winegrowers Festival in Vevex city, Switzerland.&#38;nbsp;This still life has been realized in a more contemporary way with a hint of madness.A black feline is often represented as the God Dionysos and as a guide in his road to the East, a gecko crawling on his feet is linked to the earth’s fertility. Finally bunches of grapes and a glass of white wine.&#38;nbsp;
</description>
		
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	<item>
		<title>DISTANCE AND PASSION</title>
				
		<link>https://yleniapappalardo.com/DISTANCE-AND-PASSION</link>

		<pubDate>Tue, 07 Feb 2023 20:59:17 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

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		<description>PASSION 
AND DISTANCE
Portraits Studio / Still Life


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Workshop directed by Jérôme Sessini, on the theme of passion and distance. I decided to explore the theme of the automobile.
 Surrounded by car enthusiasts and myself impregnated by this passion since a young age, I wanted to explore this theme with the given words Passion and Distance.

The goal was to provide a colourful night-time atmosphere to evoke the emotions that occur between car mechanics and the passionate human.

These lights are also reminiscent of the urban atmosphere, where the various lights of the cars and the city reign throughout the night.


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&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/645e66f0eea1389d3f2d00d5793754ca81c04eafe5a5b911b2267ad57f08e7ac/_DSF2866_02.jpg" data-mid="167648502" border="0"  src="https://freight.cargo.site/w/1000/i/645e66f0eea1389d3f2d00d5793754ca81c04eafe5a5b911b2267ad57f08e7ac/_DSF2866_02.jpg" /&#62;
&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/3275fea58f5dbd3c089e5f25d9ad2d1ddc89c837067cb22671e875f957a587af/_DSF2691.jpg" data-mid="227369869" border="0"  src="https://freight.cargo.site/w/1000/i/3275fea58f5dbd3c089e5f25d9ad2d1ddc89c837067cb22671e875f957a587af/_DSF2691.jpg" /&#62;

&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/4ee2171064d553ac69e5995c27976709fa8f7e82449966b28ee287a42de5555f/_DSF2835.jpg" data-mid="227368443" border="0"  src="https://freight.cargo.site/w/1000/i/4ee2171064d553ac69e5995c27976709fa8f7e82449966b28ee287a42de5555f/_DSF2835.jpg" /&#62;

&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/08d61eb5d0aaaad75409a1bd09c231d8a448d1c711657d57a5432b25fe6c9a9b/_DSF2745.jpg" data-mid="167648409" border="0"  src="https://freight.cargo.site/w/1000/i/08d61eb5d0aaaad75409a1bd09c231d8a448d1c711657d57a5432b25fe6c9a9b/_DSF2745.jpg" /&#62;
&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/707bacd11f1a6722dd2df117172df95fc863fae53f1e46e3a77a1c39593b2182/_DSF2879.jpg" data-mid="227368450" border="0"  src="https://freight.cargo.site/w/1000/i/707bacd11f1a6722dd2df117172df95fc863fae53f1e46e3a77a1c39593b2182/_DSF2879.jpg" /&#62;

&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/d6fa8d7c58270fbfebecdd72a4f2e74b474136954755fc66e239ba3af4aa398a/_DSF2762.jpg" data-mid="227368798" border="0"  src="https://freight.cargo.site/w/1000/i/d6fa8d7c58270fbfebecdd72a4f2e74b474136954755fc66e239ba3af4aa398a/_DSF2762.jpg" /&#62;
&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/3df441824ef533f37601e4e3ddc892c3e400be0f52ac1df34c48b26f19f82f7e/_DSF2868_02.jpg" data-mid="167648500" border="0"  src="https://freight.cargo.site/w/1000/i/3df441824ef533f37601e4e3ddc892c3e400be0f52ac1df34c48b26f19f82f7e/_DSF2868_02.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Still Life Urbex</title>
				
		<link>https://yleniapappalardo.com/Still-Life-Urbex</link>

		<pubDate>Wed, 25 Mar 2026 14:07:08 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

		<guid isPermaLink="true">https://yleniapappalardo.com/Still-Life-Urbex</guid>

		<description>Abandoned Pieces
 Still Life Urbex


&#60;img width="6182" height="8246" width_o="6182" height_o="8246" data-src="https://freight.cargo.site/t/original/i/3418e8210c40eaa490dc562969535cd8b6000a7811a221cd034fc78373d1c4fe/tlphone.jpg" data-mid="246497617" border="0"  src="https://freight.cargo.site/w/1000/i/3418e8210c40eaa490dc562969535cd8b6000a7811a221cd034fc78373d1c4fe/tlphone.jpg" /&#62;

	
Extending my exploration of abandoned spaces, I have chosen to isolate these forgotten fragments in the studio. Placed on a raw surface against a deep black backdrop, these objects are no longer debris, but silent witnesses. By focusing on every crack and scar, I aim to highlight the beauty of the damage and the dignity of what remains.

A first image brings together all the collected objects.&#38;nbsp;Each of the other three photographs highlights and focuses on a specific category of objects extracted from the first composition.


&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/1b6d8c519a207699e321819bf6842d6396fc77f028a3daea7fba9c2d223d13e5/bombonnes_peinture.jpg" data-mid="246497925" border="0"  src="https://freight.cargo.site/w/1000/i/1b6d8c519a207699e321819bf6842d6396fc77f028a3daea7fba9c2d223d13e5/bombonnes_peinture.jpg" /&#62;
&#60;img width="6134" height="8180" width_o="6134" height_o="8180" data-src="https://freight.cargo.site/t/original/i/8825c282c51d74e0535687c8c13dedc77aa925af7aba354e5be4e950d7e11f9f/mousses.jpg" data-mid="248841845" border="0"  src="https://freight.cargo.site/w/1000/i/8825c282c51d74e0535687c8c13dedc77aa925af7aba354e5be4e950d7e11f9f/mousses.jpg" /&#62;


&#60;img width="8246" height="6184" width_o="8246" height_o="6184" data-src="https://freight.cargo.site/t/original/i/cc26a5dfb71b52f51daf211c604f0ece55c80d5fbc6a4add9b4ae38436df7cdc/C.jpg" data-mid="246498062" border="0"  src="https://freight.cargo.site/w/1000/i/cc26a5dfb71b52f51daf211c604f0ece55c80d5fbc6a4add9b4ae38436df7cdc/C.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Metro 2033</title>
				
		<link>https://yleniapappalardo.com/Metro-2033</link>

		<pubDate>Fri, 07 Mar 2025 16:28:34 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

		<guid isPermaLink="true">https://yleniapappalardo.com/Metro-2033</guid>

		<description>
	
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/9e738295e6d934a49a00e4961f83d145257f5cf121b6149c440a83ae525771e3/_MG_9918.jpg" data-mid="227850863" border="0"  src="https://freight.cargo.site/w/1000/i/9e738295e6d934a49a00e4961f83d145257f5cf121b6149c440a83ae525771e3/_MG_9918.jpg" /&#62;


Metro 2033


This photographic project operates at the dynamic intersection of urban exploration (Urbex) and the post-apocalyptic video game aesthetic. The work stems from a deep fascination with the brutalist, decaying scenography inherent in Soviet-era architecture, a landscape mirrored in the literary canon of Dmitri Glukhovsky's Metro novels and the subsequent video game adaptations developed by the Ukrainian studio 4A Games.


	&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/d624cf70eb6d39562da7620b681303bfe2bf8a7c36b1ddf5706fd1a5206523f4/_MG_0289_corr_bruit.jpg" data-mid="227850680" border="0"  src="https://freight.cargo.site/w/1000/i/d624cf70eb6d39562da7620b681303bfe2bf8a7c36b1ddf5706fd1a5206523f4/_MG_0289_corr_bruit.jpg" /&#62;
	

The visual narrative deliberately moves beyond mere documentation of abandonment. The photographic methodology adopts a hybrid approach, blending two distinct image genres. Firstly, meticulously staged portraits are orchestrated to densify the human presence within the ruins. Secondly, a corpus of images directly borrows the visual language of interactive media: immersive, first-person perspective FPS shots. This deliberate mimetic of the gameplay loop reinforces the thematic resonance and physically plunges the viewer into the unsettling environment. Every location captured is an authentic, temporally neglected space where the physical reality of decay time consuming every object becomes the primary, visceral backdrop (site-specific decor). 
The resulting imagery explores the ephemeral nature of human constructs and the haunting beauty found in societal dislocation and environmental entropy.


&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/e8737a597d9eeb762b34c9979c0a6c26a8db852cc369e4fe8a92c5da35eb738a/_MG_9870.jpg" data-mid="227850864" border="0"  src="https://freight.cargo.site/w/1000/i/e8737a597d9eeb762b34c9979c0a6c26a8db852cc369e4fe8a92c5da35eb738a/_MG_9870.jpg" /&#62;

	
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/ca5f2411d1ecde2e33352faa0640177d738c3aa94f731b0118b887720f234cf2/_MG_0329_02.jpg" data-mid="227850678" border="0"  src="https://freight.cargo.site/w/1000/i/ca5f2411d1ecde2e33352faa0640177d738c3aa94f731b0118b887720f234cf2/_MG_0329_02.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/3115cdba337d825a2909e8272cb995bf569a1fe653e16b20ce691e857dcb31aa/_MG_0064.jpg" data-mid="227850975" border="0"  src="https://freight.cargo.site/w/1000/i/3115cdba337d825a2909e8272cb995bf569a1fe653e16b20ce691e857dcb31aa/_MG_0064.jpg" /&#62;


&#60;img width="8256" height="6192" width_o="8256" height_o="6192" data-src="https://freight.cargo.site/t/original/i/ec76f078880ed9946db3859b0e95ce925bdb7c7279db7e568a217c22aa1f3ed9/_DSF9410.jpg" data-mid="227852448" border="0"  src="https://freight.cargo.site/w/1000/i/ec76f078880ed9946db3859b0e95ce925bdb7c7279db7e568a217c22aa1f3ed9/_DSF9410.jpg" /&#62;
&#60;img width="4856" height="3237" width_o="4856" height_o="3237" data-src="https://freight.cargo.site/t/original/i/ab856eea29d40644a96d26af944344c982e9af47708f25fab86b7c5c591d8618/_MG_0097.jpg" data-mid="227850867" border="0"  src="https://freight.cargo.site/w/1000/i/ab856eea29d40644a96d26af944344c982e9af47708f25fab86b7c5c591d8618/_MG_0097.jpg" /&#62;

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/4488a36d66c16aefc0b20db0a7e9c8645cd6c842e44025ac421b4e69194d02f8/IMG_9816.jpg" data-mid="246541491" border="0"  src="https://freight.cargo.site/w/1000/i/4488a36d66c16aefc0b20db0a7e9c8645cd6c842e44025ac421b4e69194d02f8/IMG_9816.jpg" /&#62;

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/3dd507d4c5da1c8bdce383b3ccd5e77addb9ef8ac66098689af9642e1b268c4c/_MG_0060.jpg" data-mid="227852495" border="0"  src="https://freight.cargo.site/w/1000/i/3dd507d4c5da1c8bdce383b3ccd5e77addb9ef8ac66098689af9642e1b268c4c/_MG_0060.jpg" /&#62;

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/bb1f7a07171bba5bc0f8222a2fa3338074cd798fd61acd93ff45e82866330858/_MG_0032.jpg" data-mid="227852493" border="0"  src="https://freight.cargo.site/w/1000/i/bb1f7a07171bba5bc0f8222a2fa3338074cd798fd61acd93ff45e82866330858/_MG_0032.jpg" /&#62;


&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/752f139912f9869882c39a25dd9d43d8a73933becaad34d08201bbcbec60c07e/_MG_0283.jpg" data-mid="227850957" border="0"  src="https://freight.cargo.site/w/1000/i/752f139912f9869882c39a25dd9d43d8a73933becaad34d08201bbcbec60c07e/_MG_0283.jpg" /&#62;

	
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/185581c5a6cd9ba7b88d6b82f36f4ad188dff2a97b79dac7c005ea4712c14657/_MG_0170.jpg" data-mid="227850945" border="0"  src="https://freight.cargo.site/w/1000/i/185581c5a6cd9ba7b88d6b82f36f4ad188dff2a97b79dac7c005ea4712c14657/_MG_0170.jpg" /&#62;

&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/60031ac26051bd83baf1286859d84061641155f28f34e2ad08dba0bf4b3d90eb/_MG_0207.jpg" data-mid="227852643" border="0"  src="https://freight.cargo.site/w/1000/i/60031ac26051bd83baf1286859d84061641155f28f34e2ad08dba0bf4b3d90eb/_MG_0207.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>URBEX </title>
				
		<link>https://yleniapappalardo.com/URBEX</link>

		<pubDate>Fri, 05 Dec 2025 16:41:45 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

		<guid isPermaLink="true">https://yleniapappalardo.com/URBEX</guid>

		<description>
	
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d10eef187d74bd2758ecb6df7186ec285962ebe58eea3658c4ffcee2df0efea0/car_metro.jpg" data-mid="241455813" border="0"  src="https://freight.cargo.site/w/1000/i/d10eef187d74bd2758ecb6df7186ec285962ebe58eea3658c4ffcee2df0efea0/car_metro.jpg" /&#62;


Urban decay


	My photographic work focuses on exploring abandoned locations across Switzerland, Luxembourg, Portugal, and&#38;nbsp;Sicily. I am drawn to the unique atmosphere of&#38;nbsp;decay&#38;nbsp;and the profound way these places evoke the&#38;nbsp;passage of time.
What fascinates me most is the silent history held within these neglected spaces. Using these images for my broader photography projects has been an incredibly&#38;nbsp;enriching experience, allowing me to capture the raw beauty of the 'forgotten' and the stories left behind by the absence&#38;nbsp;

of people.


&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/5010ccb697f6269831b2d3e96581b473bde4449517e4e5c8ad0ff346ce3b1381/_DSF1773.jpg" data-mid="241457174" border="0"  src="https://freight.cargo.site/w/1000/i/5010ccb697f6269831b2d3e96581b473bde4449517e4e5c8ad0ff346ce3b1381/_DSF1773.jpg" /&#62;
&#60;img width="6751" height="5063" width_o="6751" height_o="5063" data-src="https://freight.cargo.site/t/original/i/519c93a6f505d4dc3f3b1d4a892d9691601b4fd94edba2d8d1f04781c54c7af5/_DSF1645.jpg" data-mid="241455567" border="0"  src="https://freight.cargo.site/w/1000/i/519c93a6f505d4dc3f3b1d4a892d9691601b4fd94edba2d8d1f04781c54c7af5/_DSF1645.jpg" /&#62;

&#60;img width="900" height="1200" width_o="900" height_o="1200" data-src="https://freight.cargo.site/t/original/i/119d0a2bdee764966e9891c53322bc824525304f9df6e0c3248539099525a8fd/04_Festen_YP.jpg" data-mid="241455577" border="0"  src="https://freight.cargo.site/w/900/i/119d0a2bdee764966e9891c53322bc824525304f9df6e0c3248539099525a8fd/04_Festen_YP.jpg" /&#62;
&#60;img width="9213" height="6192" width_o="9213" height_o="6192" data-src="https://freight.cargo.site/t/original/i/278d2cd72579b811fc58eb2fd65ae0a5776859ac9047089dcc43765f8ae6c216/_DSF9457.jpg" data-mid="241457979" border="0"  src="https://freight.cargo.site/w/1000/i/278d2cd72579b811fc58eb2fd65ae0a5776859ac9047089dcc43765f8ae6c216/_DSF9457.jpg" /&#62;


&#60;img width="1249" height="1769" width_o="1249" height_o="1769" data-src="https://freight.cargo.site/t/original/i/7d12b6da82d7bcd1d9755793cae1c553afa5417a3fdb2f59cd2bb209226d8e37/YPAPPALARDO_CARTES-POSTALES_FS1_Page_1.jpg" data-mid="241455580" border="0"  src="https://freight.cargo.site/w/1000/i/7d12b6da82d7bcd1d9755793cae1c553afa5417a3fdb2f59cd2bb209226d8e37/YPAPPALARDO_CARTES-POSTALES_FS1_Page_1.jpg" /&#62;
&#60;img width="6192" height="8256" width_o="6192" height_o="8256" data-src="https://freight.cargo.site/t/original/i/e8ca136a49cc14972bf1f07932f335f4792910873a54a65eec634ff2b5d03866/_DSF9226.jpg" data-mid="241456497" border="0"  src="https://freight.cargo.site/w/1000/i/e8ca136a49cc14972bf1f07932f335f4792910873a54a65eec634ff2b5d03866/_DSF9226.jpg" /&#62;


&#60;img width="1917" height="2556" width_o="1917" height_o="2556" data-src="https://freight.cargo.site/t/original/i/35c57d680e5958041e25a4e68e6467993ecff70d3f81cf445a3427a8cf574cd1/03_maison_tableau.jpg" data-mid="241455582" border="0"  src="https://freight.cargo.site/w/1000/i/35c57d680e5958041e25a4e68e6467993ecff70d3f81cf445a3427a8cf574cd1/03_maison_tableau.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>HELL GATE</title>
				
		<link>https://yleniapappalardo.com/HELL-GATE</link>

		<pubDate>Tue, 07 Feb 2023 20:59:18 +0000</pubDate>

		<dc:creator>Ylenia Pappalardo</dc:creator>

		<guid isPermaLink="true">https://yleniapappalardo.com/HELL-GATE</guid>

		<description>Hell Gate
February 2023

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9cf04231a256ef232042c315520f2b3ec7f59e64710459eecf68c81908ab6df6/Portal_02.png" data-mid="167638444" border="0"  src="https://freight.cargo.site/w/1000/i/9cf04231a256ef232042c315520f2b3ec7f59e64710459eecf68c81908ab6df6/Portal_02.png" /&#62;


Hell Gate's environment made with Unreal Engine 4.It is&#38;nbsp; based on the concept by Eric Hallquist and Doom games.
The artistic direction is semi-realistic. It's a genre that interests me aesthetically, as it tends towards realism but highlights certain elements with visual characteristics that are exaggerated for reality; colors, shapes, sizes, lights, and so on. What's more, I've always been drawn to environments that connote an atmosphere of Fantasy and Sci-fi. 
The assets are modeled in 3ds Max and Maya, then sculpted in ZBrush and baked&#38;nbsp; with Substance Painter.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/34ac5adfc11004c31cc00deeaef5a83e3a2bfce0b122b345f22ec862f5af8af7/Portal_04.png" data-mid="178652611" border="0"  src="https://freight.cargo.site/w/1000/i/34ac5adfc11004c31cc00deeaef5a83e3a2bfce0b122b345f22ec862f5af8af7/Portal_04.png" /&#62;


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